I’ve built real connections and influence that allow me to open doors for artists. I know how to find opportunities, develop talent, and prepare artists for interviews, stage presence, marketing, and promotion. Distribution is cool, but the real game is how you move, how you cover the market — what we call “shortstoppin’” in the hood. I’ve been hustling since grade school; if you know me, there’s a good chance you owe me. I’ve got a dozen names in different cities and states, and everywhere I go, it’s all love.